TV and Digital Spots
Thirty, fifteen and six second edits built from one script, so every length tells the same story.
Thirty second spots, product films and social cutdowns. Scripted, boarded and generated from start to finish by an AI advertising team, then delivered in every aspect ratio your media plan needs.
AI Advertisements
Generating a good looking shot is easy now. Making thirty seconds that carry one idea, hold one product and land one line is the same job it always was. That job belongs to writers and art directors, and ours have worked in advertising, not only in prompts.
Every spot is written and storyboarded before anything is generated. The prompt is a production document. That is how the product stays the same product, the cast stays the same cast and the grade holds from the opening frame to the packshot.
What changes is everything around the shoot. No crew, no location, and no reshoot when the media plan asks for one more cut.
What you get
Thirty, fifteen and six second edits built from one script, so every length tells the same story.
Hero films for a launch, with the product held consistent in every shot.
Vertical, square and 4:5 versions for every platform, cut for the format rather than cropped to it.
Fast turnaround promos for sales, festivals and launches, without booking a shoot.
Versions for different markets and audiences, all from a single generation pipeline.
Stills generated to match the film, so the feed, the hoarding and the spot look like one campaign.
Selected work
Product films, seasonal promos and brand campaigns, generated from a written script.
How it works
We interrogate the brief until there is one sentence everyone agrees on. Everything downstream is measured against it.
Our writers draft, you react, we sharpen. No generation happens until the script is approved.
Every shot drawn and sequenced. This is where the film gets fixed, before it costs anything to change.
Our AI directors build the prompt architecture, lock the look, and generate shot by shot. Holding character, lighting and grade consistent across the whole film is the entire job here.
Cut, sound, grade, and handover in every format you need, plus the source assets, because they are yours.
Why Loomcat
Concepts, loglines and voiceover scripts from people who have written ads, with the positioning worked out before the first line.
Once the look is locked, a new length or aspect ratio is a cut, not a reshoot.
No crew, studio, location or weather. Turnaround runs up to three times faster than conventional production.
Questions
Yes. Your guidelines, product shots and reference films go into the tone reference before writing starts, and the look is locked on the storyboard. End frames, typography and the packshot are finished in the edit rather than left to the model.
Our writers. Concepts, loglines, voiceover scripts and full shooting scripts are written in house and approved by you before anything is generated.
That is the core of the job. The product is defined on the board and held through the prompt architecture shot by shot, which is why every spot is storyboarded first.
Thirty, fifteen and six second edits in 16:9, 9:16, 1:1 and 4:5, or whatever your media plan needs, plus the source assets.
Yes. Through Studio Partnerships we work with agencies and production houses who need AI capability without building a department. We slot into your pipeline and stay invisible to your client.
It depends on length, the number of cuts and the formats you need. Send the brief and we will tell you what it will cost, usually within two working days.
Send the brief. We will tell you what the spot should look like, how long it will take and what it will cost, usually within two working days.
Start a project